Scott began working the following Monday at the age of just 16. Kenneth Scott Troum was born May 3, 1968 in New York City and presently lives in Fort Worth.A martial artist and former stuntman, he is most well known as an actor.His most noteworthy credit is his portrayal of Raphael in the hit film Teenage Mutant Ninja Turtles II: The Secret of the Ooze, under his real name Kenn Troum.. Mr. Scott, who was born in Fort Wayne, Ind., had his boutique in Milan, Italy, and in the 1960's and early 70's was one of the best known designers in that country. "David Bowie Producer Ken Scott Remembers the Moment He Realized 'Oh Sh-t, He Could Be Huge! The album featured two songs that still get substantial radio play today:[citation needed] "Dreamer" and "Bloody Well Right."[10]. Discovered by producer Buddy Adler on a television show, he was contracted to 20th Century Fox on Oct. 8, 1956 with his first work narrating the film Three Brave Men.[2]. Early life and career. Scott's previous relationship with Warren Cuccurullo, who went on to join Duran Duran, led to his mixing an MTV Unplugged episode, as well as doing engineering work on the Thank You and Pop Trash albums. In September 1967, Scott was promoted to engineer, where his first session was with the Beatles on their song "Your Mother Should Know". "Music legend backs Harrogate villagers' campaign against housing", "Ken Scott: The man who has worked with everyone from The Beatles to Bowie", "Ken Scott: Abbey Road Vet Contemplates Career of Groundbreaking Gigs", by Rick Clark, MIX, 1 Oct. 2004, Video interview with Ken Scott at Abbey Road Studios, Ken Scott – Interview on The Marquee Club, Video Interview with Ken Scott at Alfred Publishing, Live at La Cigale, Paris, 25th June, 1989, Welcome to the Blackout (Live London '78), David Bowie Narrates Prokofiev's Peter and the Wolf, We Were So Turned On: A Tribute to David Bowie,, BLP articles lacking sources from August 2014, Articles with unsourced statements from August 2014, Articles with unsourced statements from April 2013, Wikipedia articles with BIBSYS identifiers, Wikipedia articles with MusicBrainz identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 15 October 2020, at 15:49.
Three days later he was contacted by Abbey Road Studios and subsequently interviewed and offered a position the following day. Ken Swofford, the … As a producer, Scott is noted for his work with David Bowie, Supertramp, Devo, Kansas, the Tubes, Ronnie Montrose, Level 42, among others.

Scott also helped change the sound of the cross-pollination genre known as jazz rock or progressive jazz, adding a much harder edge rock sound (especially to the drums) to albums like Mahavishnu Orchestra's Birds of Fire, Visions of the Emerald Beyond and The Lost Trident Sessions, Billy Cobham's Spectrum, Crosswinds, Total Eclipse, and Shabazz, Stanley Clarke's Stanley Clarke and School Days, and Jeff Beck's There and Back. After a short time as an assistant engineer, Scott was promoted to "cutting" (known as mastering today), where he spent approximately two years cutting not only acetates for artists, but the masters for many of the hits that EMI also distributed at the time, including the American Motown catalogue. On the big screen, he appeared in films directed by Robert Wise, Stanley Kramer, John Huston, Blake Edwards and Ridley Scott. At times, some of his typical color schemes included Ban-Lon dresses in lemon yellow, pumpkin, hot pink and pepper green or mauve, purple, chalk white, electric pink and black.

Scott was born in South London, and grew up listening to 78 rpm records of artists like Elvis Presley, Bill Haley, and Eddie Cochran on a wind-up gramophone. His first job was in the tape library, and within six months he was promoted to 2nd engineer (known then as a "button pusher"), where his first session was on side two of the Beatles' album A Hard Days Night.[1][2][3]. 106347318, ; Maintained by gordonphilbin (contributor 47346381) Non-Cemetery Burial, who reports a Somewhere in California. Among the other artists he worked with as a button pusher were Manfred Mann ("Do Wah Diddy Diddy" was the first English number 1 hit he worked on), Peter and Gordon, the Hollies, Judy Garland, Johnny Mathis, Cliff Richard and the Shadows, and Peter Sellers. [7] After the album was completed, but before it was even released, work began on his next album – The Rise and Fall of Ziggy Stardust and the Spiders from Mars – again with Scott as co-producer. Also during this period he reconnected with David Bowie (he had previously worked on Bowie's Man of Words/Man of Music and Man Who Sold the World albums) on a project with Bowie protege Freddie Burretti. In the late 60's he was one of the first designers to show calf-length skirts in an entire collection. As an engineer at Abbey Road, Scott also worked with numerous other artists including the Jeff Beck Group, Pink Floyd, the Pretty Things, Scaffold and Mary Hopkin. He had lead roles in several of the studio's API second features and made appearances in some of Fox's major films. He also inspired flowered turtle necks with velvet dinner suits. While most albums were routinely recorded in two weeks at the time,[citation needed] Crime of the Century was an exception, taking a painstaking six months, as Scott and the group sought a precision to the recording and mixing not found in much of the music recorded at the time. He worked as a truck driver, an artist, an actor, a salesman and finally a TV announcer at WDSU-TV in New Orleans. He received the traditional Abbey Road studio training under engineers like Malcolm Addey and Norman Smith. On Saturday, 18 January 1964, Scott wrote letters inquiring about recording engineer job openings and mailed them to several London recording studios. "Nobody dares to put color next to color the way he does.". By this time Scott wanted to move into production, and Bowie said he was about to start a new album and didn't feel comfortable about solely producing himself, so it was agreed that they would co-produce what became Hunky Dory. He had a flair with fabrics and his flowered print suits for both men and women were often the rage. With Scott at the helm, and thanks to massive airplay from the fledgling rock radio station KROQ, the band went on to record one of the biggest selling EPs ever, which eventually led to a deal with Capitol Records, which then released their first album, entitled Spring Session M. When the group was not able to find a suitable manager, Scott also assumed that role. Ken Scott, a fashion designer known for his fabric designs and for developing fashion shows, died yesterday at his home in Eze, France. What Crisis?, attempted to reach those same sonic heights, but it was subject to the limitations of a timetable, because Supertramp had gained a measure of stardom, and a release date and tour had already been planned. [7] Scott went on to co-produce Bowie's Aladdin Sane and Pin Ups albums, as well as the little-seen Midnight Special television program episode "The 1980 Floor Show". Denver Pyle played a physician in this episode. During his time with the Beatles, Scott also worked on the songs "Lady Madonna", "Hello, Goodbye" and "Hey Jude", as well as The Beatles and Magical Mystery Tour albums. Ken Scott (born Kenneth E. Schibath; October 13, 1928 – December 2, 1986) was an American actor best known for his work in films in the 1950s and on television after that. He was 72 years old. Elizabeth MacRae was cast as his romantic interest, Myra Engles .

He is survived by a brother, Hugh, of Branford, Conn., and a sister, Mary Jane Snyder of Fort Wayne. TimesMachine is an exclusive benefit for home delivery and digital subscribers. He was also responsible for the organization of Harrison's entire tape library during that period. In the story line, Ringo, an expert gunslinger with a mysterious past seeks to lead a more respectable life. [3] In the 1964 Death Valley Days episode, "Trial at Belle Springs", Scott played the historical Virgil Earp, who goes undercover to break a robbery ring run by Belle Wilgus (Lynn Bari). After "artistic differences" caused a split, he went on to produce and manage other acts including Christine in the Attic and Cock Robin, although neither went on to achieve the level of success of Missing Persons. The album was also recorded at other studios besides Trident, including Studio D at A&M Records in Hollywood, the Who's Ramport Studios, and the now defunct Scorpio Studios. Ken Scott, 72, Dies; A Fashion Designer Known for Fabrics. In 2012, he released a memoir entitled Abbey Road To Ziggy Stardust, co-written with Bobby Owsinski and published by Alfred Music Publishing. The follow-up, Crisis? Mr. Scott later showed leopard-printed suits for men and women and went on to design footwear to go with some of his creations. In Rome, Mr. Scott once showed his new collections in a circus tent, complete with jugglers, acrobats, a fire eater, and a llama, perilously close to panic. [1], Born in Brooklyn, New York, Scott was the son of interior decorator Ernst Schibath and attended school at Erasmus Hall High School and Colby Academy. That has a lot of people wondering about his cause of death, especially because he died in the midst of a national crisis over coronavirus. [11][12], Originally from South London, Scott resided in Los Angeles from 1976 to 2013, then relocated to Nashville. [4],, Turner Classic Movies person ID same as Wikidata, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 26 August 2020, at 12:46. He died of lymphatic cancer, a family spokesman said. [13][14], Selected engineering and production credits:[18], Learn how and when to remove this template message, The Rise and Fall of Ziggy Stardust and the Spiders from Mars, Association of Professional Recording Services, "Classic Tracks: The Beatles 'While My Guitar Gently Weeps, "Interview: Abbey Road Engineer Ken Scott Discusses Recording The Beatles' White Album, Says Sessions Were a 'Blast, "Ken Scott Mix Interview: A Career of Classic Tracks", "Inside Abbey Road With Beatles Engineer Ken Scott", "Production legend Ken Scott on 10 career-defining records : Supertramp – Crime Of The Century (1974)", "Production legend Ken Scott on 10 career-defining records". His first orchestral recording session came a few days later when he recorded the strings, brass and choir for the band's song "I Am the Walrus".
Putting Color Next to Color, "Ken was doing psychedelic colorings before anyone even knew what psychedelic was all about," said a Manhattan fashion illustrator in a 1968 interview in Time magazine. [4], After a short time he took over the mixing of Elton John's Madman Across the Water, after fellow Trident engineer Robin Geoffrey Cable suffered severe injuries in a traffic accident.

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